Music Writing: Getting Started

Posted in ,

You have a passion for music and an interest in the industry. You want to write music professionally…but how?  Take it from a seasoned professional, it takes time, knowledge, and hustle, but it is possible.

Avenues are plentiful for writing music: film scoring, pre-recorded music for media, music libraries, and many more, but before you start writing, you must have a solid grounding in theory and orchestration.  Without this, you’ll be lost in an ocean of others who carry the same dream.  A working knowledge of Finale and/or Sibelius is also a must.  If you don’t know how to use one of these, how-to videos are easy to come by when searching the internet.

Finding a publisher can be a bit of a daunting task but not impossible.  Take time to look at a publisher’s website.  Learn about the type of music they publish and check out their writing requirements/limits.  Most publishers have a stable of writers they are able to call on who can provide clean and accurate scores and parts that are near ready.  However, this doesn’t mean that they aren’t looking for new talent.  If you feel you have a piece that would fit well into a publisher’s catalogue, submit it.  If you happen to have a personal connection that can vouch for you, use it!  The louder you bang that drum, the more likely you are to get the attention.

Consider building your own website where you can promote and sell you own music.  The advantage here is that you own your copyright and receive full price for your music rather than a percentage royalty.  The disadvantage to self-publishing is that you don’t have the weight of the music publisher, it’s resources and advertising, behind you.

Reach out to writers you admire.  See if they would be willing to help coach you into the industry.  You’ll need to be willing to take criticism and the red pen.  Don’t just reach out to one, get multiple inputs.  You’ll learn different techniques and get insider opinions that will be valuable as you grow in the music industry.  Not to mention, the ability to make new connections that you wouldn’t otherwise be able to do on your own.  Think crowdsourcing your career.

If you’ve been bitten by the music “bug”, go after it!  There’s nothing like hearing your music played live, there’s a human element there that is magical—something current scoring programs can’t provide.  Study, listen, find the best teachers and get your music played.

Recent Posts

How to Beat Writer’s Block

By Jason Taurins | December 17, 2019 |

Artists of all disciplines are sometimes faced with the phenomenon commonly known as “Writers…

Avoiding The Midwest Clinic Blues

By John Hillsman | December 10, 2019 |

Guest Blog by John M. Hillsman, band director at Beauregard High School I want…

What Does New Music Teach Us?

By Jason Taurins | November 26, 2019 |

To many, the avant-garde of music comes across as an impenetrable, pretentious wall of…

Owning the Piece: A Composer’s View of Writing Commissions

By Carl Strommen | November 5, 2019 |

Below’s blog is based on an interview conducted by Worldstrides/Heritage in 2015 with composer…

An Eye for the Detail

By Chris Thompson | October 29, 2019 |

Rehearsing the ensemble, or smaller groups within the ensemble, can serve many ends. The…

Archives

Carl Strommen resides with his family on Long Island New York. He attended and graduated from Long Island University ( B.A. English Literature) and The City College of New York (M.A, Music) and studied orchestration with Manny Albam and Rayburn Wright and composition with Stefan Wolpe. He is an Adjunct Professor of orchestration/arranging and composition in the Graduate School at LIU Post. His compositions and arrangements are performed worldwide.