Blog

Isle of Skye: An Old Tune Reimagined

By Michael J. Miller / September 24, 2019 /

Skye Isle is located in the Inner Hebrides archipelago on Scotland’s west coast where it is both the largest and northernmost island. Known for its picturesque landscapes, castles, and wildlife, it is frequently visited by tourists from all over the world. This piece is a setting of the Skye Boat Song, a beautiful Scottish folk tune…

Read More

How Do You Tune Your Band?

By Jon Bubbett / August 21, 2019 /

Tuning is the responsibility of each individual in the ensemble. Directors can’t really “tune” the band. The best results occur when the director guides the student’s skill development to match pitch with the players around them. Playing in tune, like any skill, and learning to match pitch has to be worked on a little bit…

Read More

What Good Is Marching Band?

By Larry Clark / August 7, 2019 /

Another school year is off and running and you know what that means? Football! Oh, and yes marching band. Many band directors have a love, hate relationship with marching band and there are many who wish it was not even part of what we have to do in music education. Others love it to the…

Read More

Advice to Budding Composers

By Steven Rosenhaus / June 5, 2019 /

I received an e-mail from a composition student yesterday, one who received an A-minus. The student, who did not question the grade, asked what could be done to improve. I should say the student is intelligent, musical, and as creative as the student’s current level of knowledge allows. Here is my response: Dear [Student]: There…

Read More

Purple Mountain Heather

By Michael J. Miller / May 8, 2019 /

COMING SOON from Excelcia Music Publishing Folk music has long been a source of inspiration for composers. Many melodies of more than several hundred years of age have survived in part due to their incorporation in modern music, and also because they are tuneful and memorable. Much of my music for band thus far has been…

Read More

Marches: Rehearsal Techniques and Performance Practices for Percussion

By Gene Milford / March 20, 2019 /

The percussion section of an ensemble can add or detract from the performance of a march in concert. The conductor needs to have a concept of the sounds expected from each percussion instrument and be able to assist the performers to achieve that tone quality. Directors should not be willing to accept whatever happens in…

Read More

So You Want to Be a Published Composer?

By Larry Clark / March 6, 2019 / Comments Off on So You Want to Be a Published Composer?

Are you interested in being a published composer for school band and orchestra? Let me start out by dispelling a myth right now. Getting music published does not equal getting rich! There are very few composers that I have ever known that can make a solid living just on getting music published for school bands…

Read More

Marches: Rehearsal Techniques and Performance Practices

By Gene Milford / February 27, 2019 /

Marches Nothing in the band world is more inspiring, thrilling, and musically satisfying to band audiences than a stirring march, when performed by a superb band under the direction of vital, inspired leadership. Select marches carefully, rehearse them thoroughly, and perform them with life, vitality and observe your audience reaction. -William D. Revelli The University…

Read More

Alpine Memories

By Michael J. Miller / February 13, 2019 /

ALPINE MEMORIES is a fantasy on traditional folksongs from the alpine region of Germany, Austria, and Switzerland. A grade 3 piece for band, it was premiered in January of 2018 by the 9th and 10th-grade Hillsborough all-county band in Tampa, FL. The premiere performance was conducted by my longtime friend, Dr. Justin Mertz. Justin and I…

Read More

Larry’s Top 10 Arranging Tips

By Larry Clark / February 6, 2019 / Comments Off on Larry’s Top 10 Arranging Tips

Whether you want to learn how to arrange for your ensemble or just want to improve your arranging skills, here are my top 10 arranging tips and tricks arranging. Of course, these can and should be considered when composing your own music as well.  All good arranging, in my opinion, is based upon the overtone…

Read More

Recent Posts

The 10 Re’s of Summer

By Larry Clark

As we all launch headfirst into the summer with Independence Day around the corner,…

Maximizing Student Engagement and Musicianship in Today’s Music Ensembles: Five Strategies for Success!

By Russell Robinson

Russell L. Robinson, Ph.D., Composer/Arranger/Author/Musician Educator In my work with music programs and music…

The (Live!) Music Goes On

By Larry Clark

The COVID-19 pandemic has affected us all.  In my 26 years in the music…

Five Keys to Unlocking Successful Rehearsals

By Valerie Laney-Rowe

Do you ever find yourself utterly exhausted at the end of a rehearsal, feeling…

How to Beat Writer’s Block

By Jason Taurins

Artists of all disciplines are sometimes faced with the phenomenon commonly known as “Writers…

Avoiding The Midwest Clinic Blues

By John Hillsman

Guest Blog by John M. Hillsman, band director at Beauregard High School I want…

What Does New Music Teach Us?

By Jason Taurins

To many, the avant-garde of music comes across as an impenetrable, pretentious wall of…

Owning the Piece: A Composer’s View of Writing Commissions

By Carl Strommen

Below’s blog is based on an interview conducted by Worldstrides/Heritage in 2015 with composer…

An Eye for the Detail

By Chris Thompson

Rehearsing the ensemble, or smaller groups within the ensemble, can serve many ends. The…

Why Improvisation? An Approach to the Art of Improv

By Jason Taurins

In my experience, many musicians, especially those of us with a background in classical…

Archives